The day following Shelley's death, the Tory newspaper "The Courier" gloated "Shelley, the writer of some infidel poetry, has been drowned, now he knows whether there is a God or not."
Edward Onslow Ford's sculpture in the Shelley Memorial at University College, Oxford
Shelley's body washed ashore and later, in keeping with quarantine regulations, was cremated on the beach near Viareggio. An 1889 painting by Louis Eduard Fournier, The Funeral of Shelley (also known as The Cremation of Shelley), contains inaccuracies. In pre-Victorian times it was English custom that women not attend funerals, for health reasons. Mary Shelley did not attend but was featured in the painting, kneeling at the left-hand side. Leigh Hunt stayed in the carriage during the ceremony but is also pictured. Also, Trelawney, in his account of the recovery of Shelley's body, records that "the face and hands, and parts of the body not protected by the dress, were fleshless," and by the time that the party returned to the beach for the cremation, the body was even further decomposed. In his graphic account of the cremation, he writes of Byron being unable to face the scene, and withdrawing to the beach.
Shelley's heart was snatched from the funeral pyre by Edward Trelawny; Mary Shelley kept it for the rest of her life, and it was interred next to her grave at St. Peter's Church in Bournemouth. Shelley's ashes were interred in the Protestant Cemetery in Rome under an ancient pyramid in the city walls with the Latin inscription, Cor Cordium ("Heart of Hearts"), and a few lines from Shakespeare's The Tempest. The grave site is the second in the cemetery. Some weeks after Shelley had been put to rest, Trelawny had come to Rome, had not liked his friend's position among a number of other graves, and had purchased what seemed to him a better plot near the old wall. The ashes had been exhumed and moved to their present location. Trelawny had purchased the adjacent plot, and over sixty years later his remains were placed there.
A reclining statue, of Shelley's body washed up onto the shore, created by sculptor Edward Onslow Ford at the behest of Shelley's daughter-in-law, Lady Jane Shelley, is the centerpiece of the Shelley Memorial at University College, Oxford.
Shelley in fiction
Julian Rathbone's 2002 novel A Very English Agent, about 19th century government spy Charles Boylan, carries a lengthy section on Shelley's time in Italy, in which Boylan tampers with Shelley's boat on orders from the English government, thus causing his death. Rathbone though is at pains to state he is "a novelist, not a historian" and that his work is very much a piece of fiction.
He also makes an appearance in Jude Morgan's 2005 novel Passion, along with Byron, Keats, Coleridge, Leigh Hunt, and a wealth of other English Romantic figures, though the novel's main focus is the lives of the women behind the famous poets: Lady Caroline Lamb, Augusta Leigh, Mary Shelley, and Fanny Brawne.